2007
 
 


2008
 


28 | SHOWCASE
CHICAGO   SUN-TIMES  
TUESDAY, JANUARY 22, 2008
U2 bigger than life in new doc
ROCK | ‘U2 3D’ confirms concert as music plus near-religious happening

BY MIKE THOMAS


I’ve long meant to see U2
live in concert. So far, though,
it hasn’t happened. But after
experiencing “U2 3D” in
70mm digital surround-
sound in the IMAX format, I
feel secure in holding out a
while longer.
    I’m sure Bono and mates
aren’t nearly as good on film













 

as they are in person, but
they still put on a tight and
toe-tapping show. I mean,
service. From what I know of
U2 blow-outs via friends and
diehard fans and filmed
footage, the band’s concerts
are as much musical per-
formances as they are near-
religious happenings. “U2
3D,” shot during the band’s
“Vertigo” tour stop in Buenos
Aires, makes that abun-
dautly clear.
Sporting his famous de-
signer shades, slicked back
hair and thick-soled shoes
that add some inches to his
smallish stature, the godlike
Irishman christened Paul
David Hewson belts out a
string of beloved hits as the
capacity stadium crowd
crows. When they join in en
masse during well-known-
choruses (“Oh, oh, oh, oh!”),
it’s as much their show as his.
St. Bono, as he has been
somewhat derisively dubbed,
is theatrically on his mark,
too, jumping back, crawling
‘U2 3D’ ***½
National Geographic
Cinema Ventures pres-
ents a documentary
starring Bono, Adam
Clayton, Larry Mullen Jr.
and the Edge of the rock
group U2. Directed by
Catherine Owens and
Mark Pellington. Running
time: 85 minutes. Rated
G. Opening Wednesday
at Chicago area IMAX
theaters, with late-night
screenings tonight at se-
Lect outlets.
_____________________

forth, whacking drums and
manhandling microphones.
His bandmates Edge (guitar,
keyboards), Adam Clayton
(bass) and Larry Mullen Jr.
(drums) are considerably
more subdued.- in conjuring
their trademark wall of
sound. And thanks to a state-
of-the-art digital audio sys-
tem, that sound is all around.
Visuals are stunning as
well. Shifting facial expres-
sions, glistening beads of
sweat and even the minute
detailing on instruments are
rendered lit sharply focused
high definition.
In “U2 3D,” as ever, Bono is
the main attraction, and his
stage presence (enhanced by
stylized video images that ap-
pear several stories high) is
positively messiablike. His
voice stays strong, delivering
a familiar and sonically pol-
ished set that includes “Ver-
tigo,” “New Year’s Day,” “Bul-
let the Blue Sk~” “Pride (In
the Name of Love),” “With or
Without You” — each Phrase
put forth with trademark
earnestness abounding.
Whether you dig the
group’s music or Bono’s
preachiness, “U2 3D” im-
presses with its virtual im-
mersion. ThOse who typically
have to settle for nosebleed
seats, like I do, might think
it’s (gasp) even better than
the real thing